Showing posts with label The Oblititrons. Show all posts
Showing posts with label The Oblititrons. Show all posts

Monday, 8 February 2016

Another Announcement: Deathmatch Round 2 is This Week


Friends, the 200 plus votes you guys gave me pushed me through to the next round of Broken Pencil's Deathmatch. Please head over there again starting today at noon. Yes, I want your hourly votes, but let me humbly say that the story that my story "You People" is up against—"Moulting" by Madeeha Hashmi—is as nearly perfect a short story as I've ever read. It is an evocation of a new love and great optimism. It has a delicate narrative voice and many carefully crafted details. Please read it. I could give a shit about winning—that's not entirely true—but I love stories. Read "Moulting." Also, check out Hashmi's blog Paper Bags & Napkins.  See you over at deathmatch.ca 
#bpdeathmatch

Friday, 5 February 2016

Announcement: Deathmatch Round 1 This Weekend


My new story, “You People” is in an online story “battle,” Broken Pencil’s Indie Writers’ Deathmatch, this weekend from 12:00:00 a.m. on Saturday to 11:59:59 on Sunday. Go to deathmatch.ca to read “You People” and, if you’ve got a lot of time, the 15 stories that it is up against in this first round. Vote for whichever stories. Be warned, though, you can only vote once every hour. Of course, “You People” and I would like your vote.

Note: “You People” features The Oblititrons, who I first met way back in May, then again in two weeks later.

#bpdeathmatch #theoblititrons

Saturday, 25 July 2015

Enthusiastic Consent


He’d sent each story to himself in the mail. A trusted friend had told him that it was an acceptable, perfectly legally valid way to copyright your work. Then he sent himself a draft of the chapbook, a draft he’d thought was final until he started reading one of the one hundred folded and stapled copies he had printed and Kinko’s. On page 29 there was a typo. He found other typos after that, and stayed up all night before the zine fair making corrections, went to Kinko’s sometime around four a.m. to make one hundred new copies. He finished around five. He’d only stapled fifteen copies before he had to go to sleep.
His alarm went at ten. At 10:27, exactly, he sat up, threw his legs over the side of the bed turned off snooze and saw the pile of unfolded chapbooks. He folded ten more before showering, shaving, throwing the folded copies, the unfolded copies, his stapler and his ziplock of toonies into a duffle bag and running to the subway station. He was two stops into his ride when he remembered that he hadn’t sent himself a copy of this new draft of 13 Stories, by Mark Peerman. At the next station, Mark got off the train and waited for one going the other direction, back to the post-office in his neighbourhood, which he knew would be open on Saturday.
He’d been waiting for five minutes when he decided he should just go ask whoever was working the booth at ground level if they knew where he could find the nearest open post-office. Mark was nearly at the top of the stairs when the train’s rumble had him running back to the platform; it wasn’t his train he’d heard and he was getting ready to curse when he saw dusty yellow light against the walls of the tunnel to his left. The train he was waiting for arrived within a minute.
It took twenty minutes to buy the special envelope and mail the zine to himself because Mark was behind an old Portuguese man and his daughter/translator trying to send a package that maybe contained maybe, more or less, the exact same things the old man had sent in a package before, but that were somehow heavier this time or, if not heavier, more money to send now because rates had changed since whenever he’d last sent them or whatever. Anyway, it was more expensive than he expected and it was causing him distress and his daughter distress, because she was trying to sort out what it was he was gesturing and shouting about so she could translate, but also because she was clearly embarrassed. Mark wasn’t sure if they’d sorted anything out by the time the postal worker—who was not the lady who worked the counter during the week—had them fill out some customs forms off to the side.
When Mark handed the postal worker the envelope, the worker thought Mark had made a mistake because the return address was the same as the destination. “I’m mailing it to myself to copyright it,” Mark explained.
“Does that work?”
“That’s what I’ve been told,” Mark said.
“Hunh,” the postal worker said.
“You’ve never heard of that?”
“No.”
“Really?”
“Really.”
The girl working the door at the zine fair tried to charge Mark admission. “I’m a vendor,” Mark said, pointing to his duffle.
“Oh. You’re late,” she said, and from the way she paused and kept her mouth open, Mark could tell that she felt bad about sounding judgmental, that she’d just been surprised, that’s all. “OK. Come in.”
“Where’s my table?”
He had to ask someone else and she was actually upset about how late Mark was and Mark really apologized and thanked her when she pointed him to the back corner of a basement room where there was, as far as he could see, no place to put out his 13 Stories.
Mark stood in front of the table. A guy wearing sunglasses who almost certainly described himself as a dude or a bro, sat smiling behind a pile of small publications, the most eye-catching featuring a photocopy of someone’s buttocks, the right cheek washed out, the left cheek in hairy shadow, the words Waxing Half Moon, written in white out down the crack. “Can I interest you in a ’zine about male hair management?”
“I’m supposed to have a table around here.”
“Oh. OK. Hey, brother,” he said, sweeping his zines from the table space in front of a chair with a backpack. “We wondered where you were. Uh,” the dude stared at the backpack.
It was covered in buttons and patches: “Trans inclusive feminism always”, “Smash the patriarchy”, “Bikini Kill”, “Feminist”, “That takes ovaries”, “Cat calls won’t get you pussy”. The woman in the seat next to the chair had a set of publications arranged in a circle. One cover had a “HELLO my name is” sticker with “Murdered and Missing” written into the blank space. There were flames drawn around the tag. She turned to Mark and smiled.
“I think that’s supposed to be my chair,” Mark said.
“Sure thing. Sorry,” she threw the backpack onto the floor beside her.
Mark looked to both ends of the row of tables, looking for the proper path to his seat.
“I think under is the only way, man,” the guy with the butt zine told him.
Mark nodded. The woman smiled at him. He put his duffle bag on the table and got on his hands and knees. He wasn’t proud of himself, but he did look at the woman’s pinched-together knees and her poodle skirt with “Boner Kill” written in looping script. To be fair, he also looked at the dude’s jeans—unremarkable, fraying, smelling of sitting too long in a car and maybe Cheetos or Doritos at the spot just above the knee that he clearly used to wipe his hands. Mark wanted to emerge from under the table quickly, but the space between the seat and the table edge was small and he had to take his time to consider how best to shimmy up. He tried facing the table, but his back caught on the wooden edge of the seat. When he faced the seat, he knocked the table and he could hear a cascade of small publications hitting the floor by his feet.
“Here,” the woman said, moving her chair and her bag and offering her hand.
“Thanks,” Mark said as he emerged.
She waited for him to sit, then said, “Now, if you’ll excuse me,” and slipped under the table. She picked up a pile of zines with a photograph of one of those Easter Island heads on the cover. The title was, Saying Aliens Did It Is Racist.
“Could I take a look at that,” the dude asked.
Mark put his duffle bag in his lap and unzipped it. He lay out the 24 folded copies of his 13 Stories chapbook.
The woman crawled back under the table as Mark straightened his wares. He felt something brush the outside of his leg and jumped sideways nervously before looking down to see the woman holding her hand up to him for help. “Sorry to startle you,” she said.
“Oh, no problem,” Mark said. He helped her up. If he’d been more comfortable, he would have told her that when he was younger he had had this cat, his parents cat from before he was born, who would brush by your leg like he was trying to be friends with you then if you petted him he would slash your hand or arm, claws out. Mark was still considering telling her about the cat when he sat down and stared out at the room full of vendors and realized that the story could totally be interpreted as anti-feminist, as a warning he was giving himself about the woman sitting beside him who he actually thought was good-looking and kind and, based on her zines anyway, pretty interesting.
“I’m Hannah,” the woman said.
Mark introduced himself.
Not to be excluded, the dude said, “Hey guys. I’m Tyler.”
Soon, Tyler started arguing with Hannah about who had made the pyramids, an argument Hannah won easily by asserting over and over again that humans did it and that humans everywhere and at all times are possessed of the same amount of genius, just that they don’t always apply it to things that we, now, here, recognize as brilliant. Tyler repeated a lot of arguments from a lot of shows on the topic of Alien involvement in grand human constructions. There was really no resolution before customer traffic started to increase in their corner of the basement. Mark couldn’t tell if anyone was doing booming business, but he could see all the seated sales people straining desperately towards each potential buyer like hungry baby birds. Mark noticed a lot of trading between vendors. One of the editors of shameless magazine came up to their table and asked Hannah about her work. Hannah gave a copy of each of her zines to the editor.
During a lull in the browsing, Tyler asked Mark to watch his stuff, explaining, “I gotta piss.” Mark asked Hannah if he could see her red-covered Enthusiastic Consent: Erotic Tales zine. Hannah asked if she could trade him for one of his 13 Stories. Mark agreed.
He was reading a “CisPorn” story about a recent university graduate and his former prof making love in her office. The former student was sucking his former prof’s toes when Tyler brushed against Mark’s leg while crawling back to his seat. “Sorry, bro. Hey, is something wrong?” Mark shook his head and kept reading until the moment of penetration, when he had to take a break.
Hannah’s reading was interrupted by a pair of girls who told her about their own zine, PERVS, which they eventually just pulled out and handed to her. They bought a copy of each of her zines and asked if her contact information was in there because they had this super-cool teacher who was going to do a zine unit with them and maybe she could come in and talk to their class? When they left, Hannah smiled at Mark.
Mark said, “I’m sorry, I had to stop reading because, I . . . ” He gestured towards his lap and made an embarrassed face.
Hannah laughed. “They’re working then.”
“I guess.”
“Which one were you reading?”
“‘School’s Out.’”
“I’m glad you like it. I’m almost finished ‘Story 1’,” she said, turning back to 13 Stories.
The five minutes it took Hannah to get through the last pages of the story Mark spent trying to perfect a smile that was welcoming, but not pressuring. He figured it would be superior to whatever expression he’d been wearing while trying not to seem desperate.
“I like it,” Hannah said. “I really like it.” She said she thought it was brave of Mark to write female characters so intimately and that he’d done a really good job of avoiding making them stereotypical. She asked if he’d done much research. Mark explained that the story was inspired by something that had happened to his sister, that it was loosely based on that. They talked about his sister for a bit, then Hannah talked about her siblings—a much older brother and two younger half-siblings.
Hannah had to start packing up early. “My friends are playing a show tonight,” she told him. “They want me to sell some of these.”
“Nice,” Mark said. “Your friends are in a band?”
“They’re called The Oblititrons,” she said. “Maybe you’ve heard of them?”
Mark made a face like he was checking his mental filing system for any reference to The Oblititrons even though he knew right away that he definitely had not heard of them. Eventually, he shook his head. “I don’t think so. Great name, though.”
“You should come,” she said. She told him the venue.
“Maybe.” He felt so tired.
Hannah held up her copy of 13 Stories. “I can’t wait to finish these. Is your contact information in here?”
It was.
“I’ll let you know what I think.”
Mark smiled. “That’d be great.” He touched the cover of Enthusiastic Consent. “I’ll let you know what I think of these,” he said. “Though, I’m not sure I’ll be able to talk about them in any detail without sounding like a creep.”
She laughed. “I’ll see you.”
“See you.”
Later, as everyone else was packing up, Tyler said, “I only sold ten things, man. Slow day.”
Mark said, “Yeah.”
“You?”
“Nothing.”
“Shitty.”
On his way out, Mark overheard some of the other vendors talking about getting a drink. Mark went home.
He put his duffle bag in front of his closet. He only unzipped it to pull out Enthusiastic Consent. He read a few of the stories, pausing periodically to abuse himself. No, Hannah wouldn’t call it that. Pleasure himself. Masturbate.
It was still early when he went to bed. Mark stared at the clock. Hannah wouldn’t have invited him to the show if she didn’t want him to go, right?
He turned on the light, got dressed and left before he could change his mind about it. 
—Duncan, BC/Toronto, ON, July, 2015

Emoji sequence: Braden Labonte
Story: Lee Sheppard 

Monday, 25 May 2015

The Oblititrons Drive The Prairies


In the mountains there’d always been something new to look at.
In the months leading up to tour, Willa had been saving up podcasts. But from Kamloops to Calgary, Willa and Kiki—a.k.a. The Oblititrons—listened to their last episodes of This American Life and the last of the All Songs Considered episodes with music.
They were sick of listening to The Magnetic Fields’ 69 Love Songs and were well done with the Neil Diamond Greatest Hits CD, Dusty In Memphis and Le Tigre’s Le Tigre. All Songs had done nightly roundups from South by Southwest, one of which they’d listened to, all of which had just one song at the end, so they’d skipped them. Then, between Edmonton and Saskatoon—actually between Vegreville and Vermilion—they listened to them all.
And apparently THEESatisfaction had synchronized dances.
So, in a hostel in Saskatoon, where they hadn’t been able to book a show, they played their song “F.U.T.U.R.E.” at the lowest audible volume and creaked around the floor practicing moves somewhere between a cheerleading routine Willa remembered from middle school and a ballet choreographed by Miss Marlene, the woman who taught Kiki dance in the basement of the United Church in downtown Oakville when Kiki was eight. They debated over handclaps and only did the routine through twice because Kiki was embarrassed about the sound the floorboards made.
Out of new music and podcasts, from Saskatoon they listened just to the hum of the tires. Kiki, in the passenger seat, started guessing how long it would take to get to the next visible grain elevator. Willa blamed Kiki for the poor turnout at their Canadian shows, which had been Kiki’s responsibility to book. And why hadn’t she been able to find a show in Saskatoon, hunh? Kiki said the US shows weren’t much better and accused Willa of picking the easier job. After that the prairies seemed to get even flatter and the grain elevators even further away, though Kiki realized that she was counting in rhythm to her faster, angrier breath so she practiced some mindfulness to slow that down, which got the elevators back to predictable distances.
Willa pulled the car over onto the gravel shoulder.
“What’s up?” Kiki asked.
“I’ve got to piss.”
“OK.”
“What?”
“Normally you say so before we pull over.”
“Isn’t this spot good?”
“Well, I’d prefer to strategize—like maybe we could stop somewhere with coffee or chips or something—but whatever.”
Willa rolled her eyes and got out.
While Willa squatted in the ditch, Kiki looked across the street. She saw the prow of a boat peaking around the corner of an overgrown hedge. She got out of the car.
“Good idea,” Willa said.
“What?” Kiki asked.
Willa zipped up her pants. She saw Kiki looking both ways along the highway. “Oh, I thought you were getting out to pee too.”
“Nope,” Kiki said. She crossed the road and took her cell phone from her pocket.
Willa followed her across the street.
The boat had been beautiful. The boat had been a boat. Now it was a crumbling pile of painted wood belching an anchor onto overgrown grass. Kiki was taking pictures on her phone. “For your dad?” Willa asked. Kiki nodded. Willa looked around. There was a rutted trail leading around a windbreak over which she could see the roof of a house. There was a field of stubble behind them that curved neatly into the horizon. Kiki’s phone made the whooshing “message sent” sound.
“Who’s that for?”
“My dad and sister.”
Willa nodded. Kiki’s dad was really into wooden boats. His bathroom in the basement, where he was exiled to shit, had a stack of Wooden Boat magazines, one of which always had a pen tucked inside it so he could make little notes in the margins. Willa couldn’t figure out why Kiki had sent the picture to her sister, Linda.
Hinges squealed, a screen-door banged and someone ran across a wooden deck. Willa ran instinctively towards the boat’s prow and the edge of the ragged hedge—the only hiding places for miles around. The hinges squealed again once, twice, and feet supporting tinier bodies beat an arrhythmic staccato across that same stretch of deck. Kiki just stood there. Willa ducked down and leaned against the boat’s hull. Kiki’s phone jingled and when Willa looked up her band-mate was wondering at a text.
A boy, seven or eight, came running around the windbreak between the Oblititrons and the house. He was wearing a skeleton costume with the hood and mask hanging between his shoulders. Playing cards fluttered in the air behind him and he was laughing. Two girls, one wearing a stained pink dress, the other a too large hockey jersey, chased after him picking up cards and whining, “Jaw-on,” or squealing “John!”
When he saw Kiki standing in his yard, John’s body spasmed and the playing cards burst into the air. They hadn’t finished fluttering and falling to the ground, though, before John had clearly decided that Kiki was no threat. John waved to her, then started picking up the cards. The girls were almost immediately at his feet and for a moment they were both tugging at cards in John’s hands. The girl in the dress managed to snap the card she was pulling free of John’s grip. John stepped backwards, dragging the girl in the hockey jersey along the ground a few feet. When the playing card she was tugging on popped out of her hands, John held it above his head and started dancing with his pelvis. Never mind how rude it looked, doing that at girls who were, presumably, his sisters—both Kiki and Willa knew that crotch was what their dance had been missing.
The girl in the hockey jersey spotted Kiki and let out a high-pitched scream before turning and running for the house. The girl in the princess dress was startled, but recovered quickly, set her brow to scowl and walked menacingly towards Kiki, who turned and ran for the car. Willa followed. They hopped in, giggling and sped away.
A few kilometers down the highway Kiki said, “So, I sent that picture to my dad and sister, right?”
“So?”
“Look what Linda sent me back.” Kiki held her cell phone up just under the rearview mirror.
“What is it? I can’t see it,” Willa said.
“A skull emoji.”
Linda was some sort of fortune-teller, seer person. “Whoa,” Willa said.
“Right?”
“And she sent that without knowing any of the . . . ?” Willa waved her hand in the air, her body tingling.
“Yeah.”
“That’s amazing.”
When Kiki texted Linda the story of what happened, Linda wrote back and said that she thought someone had died in that boat, but that you couldn’t always know how to interpret visions.

When they got to Winnipeg, they went shopping for CDs. Kiki bought Missy Elliott’s The Cookbook and THEESatisfaction’s EarthEE. Willa bought a Gordon Lightfoot Complete Greatest Hits.
That night at the club, during “F.U.T.U.R.E.”, The Oblititrons broke into their dance and it was sort of synchronized, but when they got their pelvises into the act, the modest crowd clapped and laughed and shouted for more.
Toronto, May 2015

Emoji sequence: Regan Clarke
Story: Lee Sheppard
Read more about The Oblititrons here.

Monday, 11 May 2015

The Oblititrons


Willa St. Thomas and Kiki Roberts were The Oblititrons. Are The Oblititrons. In Phoenix, AZ, they stayed in a tiny, cluttered bungalow with a cute 16-year-old lesbian and her cuter mom. They parked beside this giant cactus that looked just like a cactus from a cartoon. Their car didn’t lock, so they brought all their stuff into their hosts’ house. Willa tucked the Zip-Lock that held all their money into the duffle bag that doubled as her pillow.
In the morning, Kiki couldn’t find their Akai MPC2000LX sampler or their box of 3.5 inch floppy disks, which two things, in combination, were their only instrument, the key to their catalogue of songs, actually all of their music. “So, like, now there’s no Oblititrons,” Kiki stessed after checking the trunk and backseat and front seat and under seats and beside the car on the burning gravel.
“Where’d you put it? When we came in?” Willa asked.
“I thought I put it with a pile of stuff beside me on the floor.”
“In front of Sabine’s closet?”
“Yeah, in front of the closet. Sabine’s the girl?”
Willa nodded and looked at Kiki with, like, way more anger than forgetting some girl’s name merited.
“The fuck?”
Willa pinched her lower lip and pulled it away from her face. “This morning her mom came in and took a pile of stuff from in front of the closet.”
“Where d’you think she put it?”
“We’ll ask Sabine when she gets up.”
They spent an agitated hour mostly trying to read. Periodically, Willa would get up and look for coffee or Kiki would get up and open one of the boxes stacked by the couch and the back door and the gurgling fish tank.
When she woke up, Sabine went straight to the bathroom. Kiki stood at the end of the hallway with her hands in her back pockets. Willa lay on the couch with her ball cap over her face to try and shield herself from the tension Kiki embodied, the tension that had settled hard on Willa’s gut.
“Oh shit,” Sabine said when Kiki explained the situation, “Mom was taking that stuff to the pawnshop.”
“You’re joking,” Kiki said.
“Where’s the pawnshop?” Willa asked.
Sabine rode in the front seat. Kiki sat in the backseat pinching the opening of the Zip-Lock purse, the money pressed between her thighs.
They accidentally drove past the pawnshop and had to turn around in the parking lot of a shooting-range-slash-hamburger-joint. The owner of the pawnshop was an extremely tall man who was unusually pale for Arizona. When he emerged from the backroom, he said to Sabine, “Your mother came by this morning.” They explained to him what had happened. He held up his long hands and said he’d bought the sampler and floppy disks this morning and that this was a business, so, no, he couldn’t just give it back, but he could sell it to them for what he bought it for, which was $150. Kiki was pissed, but Sabine convinced them that it was OK ’cause her mom would just give them the money back. Willa pulled some cash out of the Zip-Lock and counted it. Kiki double-checked the amount before they handed it over.
They were supposed to be in Tucson to play an in-store in three hours, but they were feeling super ripped off so they waited while Sabine texted her mom to find out where she was working. Sabine’s mom didn’t answer. They were sipping burnt drip coffee from Styrofoam cups at a dying donut shop when Sabine’s mom’s text buzzed through.
They pulled into the driveway of the house Sabine’s mom was cleaning and parked behind a black SUV that seemed twice the size of any SUV Kiki or Willa had ever even seen. The house was oversized, too. Willa and Kiki both got out of the car when they saw Sabine’s beautiful mother step from the front door onto the flagstone walk.
Inside the house someone was practicing the violin.
“Sorry about this,” Willa said.
“Thanks for meeting us,” Kiki said.
Sabine’s mom held out a fifty. You could see she was pissed.
The violin hit a foul note and stopped.
“I’m sorry,” Kiki said, “the pawnshop guy told us it was one hundred and fifty he gave you.”
“For the whole lot, yeah. It wasn’t just your weird old computer.”
“Oh,” Willa said.
Kiki said, “But we paid one hundred and fifty.”
“Guess you should take that up with him.” She turned and walked into the house.
The violin squealed back into action.
Sabine offered to take them back to the pawnshop. Kiki refused; they could find it themselves. Then Sabine asked if the Oblititrons could drop her at her girlfriend’s place, which she said was closer, though she didn’t say to what. “It must be closer to something,” Kiki said as Willa pulled out of the girlfriend’s driveway. “Maybe not closer to where we were or where we’re going, but closer to the neighbour’s place, say.”
Willa laughed. “We aren’t going back to that pawnshop, are we?”
“How it’s supposed to work? Like, what would we say, you know?” She looked at Willa. “Is that OK?”
“To Tucson,” Willa said.
“Tucson.”
“What have we learned?” Willa asked.
“I have no idea,” Kiki said.
Toronto, May 2015

Emoji sequence by Mina, a student in The West Enders program at West End Alternative.
Story by Lee Sheppard, a writer and educator  who teaches The West Enders program at West End Alternative